"
In today’s world, most of us carry grief and do not even know it. We have been trained at a very young age how not to feel. In the West we are often taught that to be good girls and boys we have to “suck it up.” The consequences are that even with your most intimate and trustworthy friends you might feel like, “I am burdening them.” Crying in front of others is too often a forbidden fruit. We learn to compartmentalize our grief because expressing it in an unwelcoming place will only lead to more grief. We are taught that the people who are closest to us have no way of holding us when we fall apart.
Yet we are born fully knowing how to grieve. We cry naturally to feel better, to unburden ourselves and take a few pounds off our shoulders and souls.
"
— sobonfu some. i take issue with her oversimplified thinking on race and war in the article, but i think this excerpt is on point. she also writes about communal grief and how important it is to have others around us to support us in that process. sitting in silence with someone can be such an amazing gift.
(Source: sobonfu.com)
sitting in the best and only cafe in west oakland- revolution cafe. paintings of garvey and malcolm while grungy white hipsters flow in. road signs and antiques. armchairs that plunge deep in the center.
i’ve listened to the sounds of BART trains pass, overlaid to the sounds of soul music. each time feeling like my heart dragging across rusty steel. wondering where the sparks fly and land. each time feeling my jaw clench. feeling the words that have buried themselves in my chest for years bubble rise and fall.
a friend told me it’s time for old patterns to change. time to heal. but right now it’s so grey the yellow springtime flowers can only shiver against the cement backdrop.
"The daughter of a Mexican father and a Mexican-American mother, and sister to six brothers, she is nobody’s mother and nobody’s wife."
— sandra cisneros (bio). how do i say this without offending the wives of the world? i think this is beautiful, strong, laced with sadness. maybe this is me in a nutshell. either way, the idea of being somebody’s wife (property) never appealed to me.
"One day I will pack my bags of books and paper. One day I will say goodbye to Mango. I am too strong for her to keep me here forever. One day I will go away./ Friends and neighbors will say, What happened to that Esperanza? Where did she go with all those books and paper? Why did she march so far away?/ They will not know I have gone away to come back. For the ones I left behind. For the ones who cannot out."
— sandra cisneros. house on mango street. except, come back to change Mango, not to leave her again…
"My father leaves his psychic print upon me, silent, intense, and unforgiving. But his is a distant lightning. Images of women flaming like torches adorn and define the borders of my journey, stand like dykes between me and the chaos. It is the images of women, kind and cruel, that lead me home."
— audre lorde. zami: a new spelling of my name. started this today between various distractions. that first line. that first line punches me in the heart. hopefully i’ll like her prose as much as her poetry and essays.
"In the movies there is always one with red lips who is beautiful and cruel. She is the one who drives the men crazy and laughs them all away. Her power is her own. She will not give it away. / I have begun my own quiet war. Simple. Sure. I am one who leaves the table like a man, without putting back the chair or picking up the plate."
— sandra cisneros. house on mango street.
"That’s nice. That’s very good, she said in her tired voice. You just remember to keep writing, Esperanza. You must keep writing. It will keep you free, and I said yes, but at that time I didn’t know what she meant."
— sandra cisneros. house on mango street. been re-reading this book and finding much more appreciation than reading it from the 9th grade.